THE VERY BEST OF COLORIZED RAILROAD PHOTOGRAPHY: Southeastern Steam and Early Diesels
THE VERY BEST OF COLORIZED RAILROAD PHOTOGRAPHY: Southeastern Steam and Early Diesels
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Combining vintage black & white railroad photography with the manual art of digital colorizing, this distinctive album of railroad photo art showcases a collection of the finest images from the cameras of noted 20th century photographers J. Parker Lamb, David Salter, Hugh Comer, Wiley Bryan, Dick Sharpless, Frank Ardrey and others, collected and published for the first time in true color.
Dozens of colorized black & white images illustrate the transition from steam to diesel power on Southeastern railroads, offering vividly detailed renditions of locomotives and trains of the Atlantic Coast Line, Seaboard Air Line, Southern Railway, Central of Georgia, Louisville & Nashville, Western Railway of Alabama, Gulf, Mobile & Ohio, Frisco, Florida East Coast, and Illinois Central in stunning color. Each full-page colorized image is accompanied on the facing page by the original black & white photo, together with a detailed narrative for historical context.
The introduction includes a step-by-step description of digital artist Tom Alderman's technique. Using black & white scan as his canvas, Tom utilizes digital brushes, pencils, and sprays to manually create a perfectly matched color image from the black & white original. He describes his colorized images as "pseudochromes" owing to their remarkable resemblance to Kodachrome slides, a result unobtainable from even today's most advanced artificial intelligence such as ChatGPT.
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The colorized versions of these great black and white photos make the subjects really pop. The format with the black and white photo directly across from the colorized version showcases Mr Alderman’s artistic gift and gives the viewer the best chance to see how it really looked to viewers from the 1930s through the early 1970s. I hope to see more of Mr Alderman’s artistry soon.
Brings back memories of good times gone by.
A fantastic job of rendering a black and white picture in color. From my memories. the colors of the CofG, ACL and SAL seem about perfect. A great book.
This book is nor your standard coffee-table book. To begin with, Marvin Clemons selected the work of some of the South's - if not the nations - railroad photographers.
These included Frank Ardrey, Richard Sharpless, Parker Lamb, Hugh Comer, Warren Calloway, Curt Tillotson, and other equally talented photographers.
Then Tom Alderman, creator of the "pseudochrome photograph" did his magic in colorizing the photos.
The result is an eye-popping photographic trip through the South in the late steam/early diesel era.
A number of the photos, admittedly, had been published previously, but seeing them in black-and-white is nothing like seeing them in glorious color.
Even if you, like I, have seen these photos in black and white, to paraphrase Al Jolson, "You ain't seen nothin' yet!"
Excellent and unique book.